Yesterday evening opened the second solo exhibition of the artist NS Harsha at Victoria Miro. Rarely I leave Miro’s gallery disappointed, but this time attending was a real pleasure for the eye and for the soul too.
Harsha next to his painting ‘Chamber Concert’
Harsha is an Indian artist and on his works there is a clear imprint of Hindu culture – research for spirituality, inner peace, contact with nature and animals. But they also face the reality of our period: the penetration of technology and industrialisation. What makes a difference in Harsha’s work is the serenity how it walks us through his visions and the gentle, delicate yet distinct brushstrokes. Paintings like Harsha’s are hard to find these days: the well painted self-expression of a beautiful soul.
According to the press release, the artist has cited Beckett’s Waiting for Godot as a point of reference, and the paintings emphasise how a quest for higher meaning sits alongside the absurdity of everyday existence.
Upward Movement will be on show until 25 April in the Mayfair gallery.
‘Why’ – details
‘Only Way Is through Milking Way’
‘Mooing Here and Now’ – details. Image courtesy of Victoria Miro
Isaac Julien is an artist and filmmaker, whose art I find sophisticated and inspiring. He is having an exhibition in the MOMA, NY called Ten Thousand Waves. It is a film installation from 2010 inspired by the Morecambe Bay tragedy of 2004, in which more than 20 Chinese cockle pickers drowned on a flooded sandbank off the coast in northwest England and the ancient China (source: MOMA). The shots were taken in Shanghai, both the modern and old parts of it.
I was delighted to be informed about an upcoming exhibition of the artist in the recently opened gallery of Victoria Miro in Mayfair. The new seven screen installation called Playtime will receive its world premier at the Gallery on the 24 January and is going to run until the 1 March.